Keeley Hooke Reverb

Classic Spring Reverb

The Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to work within the range of bright and spanky to dark and thick. The Spring control is the amount “looseness” or “Sproing!” in the reverb pan. Loose springs seem to generate a lot of reflections, and you can hear the reverb “bounce.” With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay … it’s all in there. What’s more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It’s one of our finest creations.

Blackface Trem-n-Verb

Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it’s not really (pitch) vibrato, it’s tremolo. We carefully EQ’d and filtered the sound to not only be tube-like, but we crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. We created a special recipe in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.

Fugue, an Organ Reverb

The Hooke Reverb needed something crazy, something that just didn’t exist. We started playing with shimmer-springs, octave down and sprung, and all sorts of other coiled manifestations of things springy and coily when it hit us. The problem was we could hear the original guitar part. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!

Spring Reverb: It’s all about that pan, that pan.

Spring for More!

Three More Reverb Patches!

Want more from your Keeley Reverb? Take the back plate off your Hooke Spring Reverb and change the Bank Switch to Bank 2. Now you have three more spring reverb patches!

Long Decay Trem-n-Verb – Same as in Bank 1, but set up for single coil guitars and super long decay/reverb trails. If you want a huge springy mess of reverb and you have some spaghetti logo guitar for making surf music … yeah, this is it. Spring’s up, dude!

Spring-Plate – Another Keeley Original. After a YouTube commentator wrote, oh man no plate reverb? I said, Beeeeetch! I got your plate reverb! How about this, I said: Cross Fade between Spring Reverb and Plate Reverb. And that’s just exactly what it does. Dial in 25% spring reverb and 75% plate, dial in 50/50, dial in your own perfection. This is like taking your tube amp with spring reverb into the studio and then the producer adds plate reverb. Classic. Happens all the time. Well, now you can do it anywhere with the Keeley Hooke Spring Reverb. Thank you.

Vibro-Spring – What if a Blackface and Magnatone amp had a love child? Yeah, a pitch vibrato spring reverb. Something that would have been right up Lonnie Mack’s alley? Well, it’s in there too. The Fugue Mode becomes what I call the Mack Mode. Mack Mode was inspired by Eddie Heinzleman’s love of Lonnie Mack. I texted Eddie about this possibility and in a few seconds I had YouTube links to Wham and Satisfy Suzie. Yup, Vibrato and Reverb. Sounds Delish. Mack ‘n’ Cheese! Wait, wrong page… Mack Mode! Spring Reverb with Pitch Vibrato.

After you’re done ordering the Hooke Spring Reverb, stop by Eddie’s page please. He’s an amazing player. Eddie Heinzelman. Or on Facebook.

EB Volume pedal jr. 40th anniversary edition

Since its introduction in 1977, the Ernie Ball Volume Pedal has been the leading choice for musicians across the globe. The Ernie Ball 40th Anniversary VP Pedal features a luxurious limited edition slate black aluminum chassis with updated graphics for a striking appearance both on and off stage. A redesigned ultra durable Kevlar cord improves potentiometer traction for precise volume control and a super smooth foot sweep. Inspired by the rugged design of the original, the pedal's compact extruded aluminum housing is virtually indestructible. Celebrate 40 years of quality, performance, and reliability with this new anniversary edition volume pedal only from Ernie Ball.

Samtals m/vsk

23.990 kr.

Á lager

Fender Bassman Fuzz

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. Thick and woolly bass fuzz for the ages: cramming decades of bass fuzz tones into a small footprint, the Bassman Fuzz pedal offers two voices of speaker-pumping grit and all the right controls to keep your low end solid. Beyond offering fur drenched, riff-ready gain, this buffer-friendly fuzz can be tamed to balance with your clean lows using the three-position focus switch and blend knob. Select where the fuzz sits in the mix from three focus frequencies: full frequency band, just the mid and high frequencies, or high frequencies only – with each setting leaving plenty of room to blend in the right amount of your clean signal underneath the fuzz.

Samtals m/vsk

19.990 kr.

Á lager

Fender Bassman Driver

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. Conjure varying shades of gain, from light tube-like breakup to hi-gain chunk, while keeping your low end intact. Utilizing a complement of JFET circuitry and dynamic clipping stages, the Bassman Driver emulates the behavior of a bass tube amp driven to breakup. Flick the voice switch into the up position to kick in an additional layer of clipping for a heavy modern distortion voicing. Sculpt your tone further using the mids switch, offering two dialed-in levels of growl, and an internal tone control to set the high frequency content to your liking. The blend control keeps your low end solid by blending body and dynamics from your clean tone back into the mix.

Samtals m/vsk

19.990 kr.

Á lager

Fender Bassman Delay

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. Enter the world of subsonic soundscapes with delay engineered for bass. The Bassman Delay brings delay to the low end wielding two professional DSP algorithms designed specifically to repeat bass signal. Select between smooth analog repeats or crisp digital delay tones with a flick of the type switch, while the time and feedback controls determine the delay time and number of repeats. Shape the low frequency presence in your delay repeats using the low switch, letting you decide if your delays fade out lightly on top of your signal, keeping the low end clear, or duplicate the full signal for beat-repeat like waves of bass. Delve into the depths of ambience and find exciting new percussive grooves with the Bassman Delay.

Samtals m/vsk

23.990 kr.

Á lager