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The Demon Drive is without a doubt the most thoroughly engineered bass drum pedal the World has ever seen. Lightning fast power and silky smooth finesse make this the choice of some of the most prolific drummers in the world. An amazing array of adjustable features turns this pedal into an extension of your body. From beater angle, traction plate grip, and footboard height and angle, it’s all your choice. And when you feel the need for speed the Demon quickly converts to a double pedal with a simple add on pack. Unleash the Demon and find out what custom feel is all about.

Delivering accurate speed and focused performance, the Eliminator Solo: Red bass drum pedal delivers no-nonsense Eliminator feel for the technically decisive player.  Focusing the drive on the accurate feel of the Radical Progressive Action of Eliminator: Redline Red Cam, its shape allows the double chain to better match the motion of your foot. This means smooth movement at the bottom of the stroke with an accelerated PUSH at the top, and quick rebound for reactive doubles.

The engineers at Austrian Audio have designed and produced some of the world’s most acclaimed headphones and drivers. When it came time to create our first family of professional headphones, we took all the time needed to create them and to exceed many of the goals and challenges that came before.

When inspiration hits, you need the voice to proclaim it.  When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden. The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that lets players blend from perfectly clean to amp-crushing roar.  We wanted that impossibly huge and focused midrange that makes any guitar–Strat, Paul, Tele–sound incredible.  We knew we could do it our way and offer you more tone.  So we designed this pedal over the course of a few days to outdo the old pedal.  I am confident we not only drew blood, we crafted a #killer. Clean, Distortion, Fuzz — It’s All There With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana.  The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood.  These diodes were chosen to give you bigger, more open amp tones without a lot of compression. The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters. Bass response.  The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving.  The bass response, when cut, is saturated with a hint of 2nd order harmonics.  Punchy and full yet not overbearing, it cuts like a buffalo. What can I say? Clipping.  Sometimes there just ain’t enough gain in the world.  Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief. Tone Control.  You need to be able to dial in the highs perfectly or nothing else matters, right?  The highs are what make it ear candy or ice picks.  Heck, we give you the range to do whatever the heck you want to do. And that’s a two-heck sentence. Volume.  You have to be able to put the pedal to the metal whenever you darn well chose.  Voltage doubling in our circuit gives you just that.  Headroom for days.  Slay an amp, leave it a bloody mess.  No, you won’t blow tubes, but you will have them at the right temperature to make them glow with delight. Drive.  What? You want me to describe Drive?  Shoot, from “Is it ON?” cleans to searing sustain and saturation.  It pushes you.  Compels you to play.  Non-stop playing…. Midrange.  Wait.  Didn’t I say 5?  Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood.  It’s masterful creation of sultry mids.  The kind of mids singers or cellos are known for.  Throaty and powerful.  Not just a woman tone, but a manly roar.  Not congested and stuffed up.  Focused and brilliant. Trifecta The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman.  Jack Orman has been a pioneer in the modern world of effects for 20 years.  His thoughts and ideas are incorporated by nearly every boutique builder out there.  Here is your chance to hear a brand new creation designed to outperform any of the clones.

Logan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but that would be selling it short. There’s a true fire raging under the embers here, one that allows you add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine. It also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too - all of you amp-less/cab-sim players can thank us later.   But what truly pushes Logan over the edge is its 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2x12 to a fat 4x12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT/BOOST control lets you cut or boost the selected frequency by up to 12 dB.But the frequency fest doesn’t stop there. Logan even sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.Then there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps.You’d think the feature-well would have run dry by now, but no, there’s even more cool sonic secrets under the hood.The pedal has been set at the factory to sound stellar right out of the box, however some people might want to tweak some more options to taste. Via a hole in the base plate, you get direct access to an internal trim-pot to set the bandwidth (Q) of the Mid-EQ. Turn it counter-clockwise for a broad bandwidth, for smooth frequency sweeps or turn it completely clockwise for really resonant sounds. Removing the base plate will reveal a second trim-pot, which enables you to blend in your clean signal with the overdriven tone, making Logan transcend the world of guitar. Bass? Drums? Synths? Vocals? Bring it on! This pedal will handle it all.Logan really is an all-in-one overdrive solution and trust us, once you plug in you’ll never want to turn it off again!       Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 30mA current draw)   Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It’s a powerful, cutting fuzz with a baked-in octave up that’s especially apparent the higher you go up the fretboard. Do you like fuzz? Then you’ll especially like this fuzz. Promise. But what reallymakes this pedal special is the inclusion of an independent wah-like filter that’s as tasty as it is useable—yes, this is that “Plus” I’d alluded to... The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.  This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. We don’t like to “box you in,” so we gave you both options—do what you dig, cool guy.

ELDRI GERÐ Á LÆKKUÐU VERÐI! Nýrra módel, GLXD14+R, hér: Shure GLXD14R+E þráðlaust kerfi | Hljóðfærahúsið How can you bring more energy to the stage? Set the performers free with digital wireless. GLX-D® Advanced Digital Wireless adds more capacity—and more ways to keep the show moving. Ideal for clubs, houses of worship, or other small to mid-sized venues, it’s the gear that breaks performance wide open.

The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!

If you’re looking for power and clarity look no further than our Bala Cowbells, with their distinctive mirror-polished, seamless design. 

Clarity is king—and with the R65 V2s, you’ll hear every single detail in your music: the gentle breath in every exhale, the subtle finger noise in a nylon-string classical guitar; the nuanced overtones of brass and woodwinds; and exquisite reverb tails that decay gracefully into the void. Not only will your mixes sound their absolute best on R65 V2, but you’ll also be able to hear trouble spots in your tracks with surgical clarity. If you’re mixing or mastering high-resolution audio, the R65 V2 will ensure that you’ll hear every detail captured in your recordings.