Hljóðfærahúsið

Apply a thin coating of cork grease to the cork at woodwind instrument joints for a better seal as well as smoother assembly and tuning.

Árgerð 2019 The StingRay RAY34 bass is simply an essential for any bassist. The roasted neck, 3-band active preamp, and single humbucking pickup combine to form one of the most iconic bass sounds

PVC-free jacket material - We have completely dispensed with PVC in the development of the new jacket material! Our alternative to PVC is called TPE-V and is a blend of soft/elastic and firmer components, resulting in an equally flexible cable. the rubber-like properties provide elasticity, softness and great windability the hard components guarantee recyclability, notch resistance and the problem-free use at high temperatures fabric jacket made of hemp: natural, renewable, 100% recyclable fabric jacket made of 100% natural useful hemp fibers 100% recyclable energy saving production process

PVC-free jacket material - We have completely dispensed with PVC in the development of the new jacket material! Our alternative to PVC is called TPE-V and is a blend of soft/elastic and firmer components, resulting in an equally flexible cable. the rubber-like properties provide elasticity, softness and great windability the hard components guarantee recyclability, notch resistance and the problem-free use at high temperatures fabric jacket made of hemp: natural, renewable, 100% recyclable fabric jacket made of 100% natural useful hemp fibers 100% recyclable energy saving production process

PVC-free jacket material - We have completely dispensed with PVC in the development of the new jacket material! Our alternative to PVC is called TPE-V and is a blend of soft/elastic and firmer components, resulting in an equally flexible cable. the rubber-like properties provide elasticity, softness and great windability the hard components guarantee recyclability, notch resistance and the problem-free use at high temperatures fabric jacket made of hemp: natural, renewable, 100% recyclable fabric jacket made of 100% natural useful hemp fibers 100% recyclable energy saving production process

High-level interior design guaranteeing high-level soundThe ECOHEMP PP cable meets all expectations on a high-quality Cordial product: The conductor cross-section of 0.50 mm² (AWG 21 / conductor resistance < 39 Ω/km) is twice as large as that of conventional fabric jacket cables. It ensures undistorted signal transport and crystal-clear sound. A double shielding of braided shield and carbon semiconductor minimizes interfering external influences (such as microphony effects). High-quality NEUTRIK® Plugs in "Shabby Chic Design" The two straight 6.35 mm jack plugs of the ECOHEMP PP are made by NEUTRIK®. Their special retro style is reminiscent of the charm of patina on metal parts - and all that at CORDIAL’s proven high quality and durability. ECOHEMP: Sustainable cables of a new generation

Inspired by our iconic 'red label' guitars of the 1960s, our new FG Red Label folk models blend modern inspiration with a timeless design. Featuring a classic semi-gloss finish and high-quality components, FG Red Label guitars capture an authentic vintage aesthetic. The mahogany back and sides are paired with a premium Sitka spruce top which has been treated with our Acoustic Resonance Enhancement ('ARE') process for genuine aged-wood tone and sustain. A new scalloped-bracing design delivers plenty of volume, while the groundbreaking Atmosfeel three-way pickup system provides a natural acoustic sound when amplified. The new FG Red Label guitars sound and feel like you've been playing them for years - right from the very first note.

Perfect for the beginning violinist, the V5SC features a spruce top and maple back and neck made from high quality materials. Each instrument is handcrafted utilizing the same traditional methods as used on high-end violins. Designed, sized, and priced for young students, they are quality instruments that will get any student off to a great start. 

Handcrafted in Japan, the FG9 M steel-string acoustic guitar features an Adirondack spruce top and African mahogany back and sides—and its extraordinary projection and clarity, even under the hardest strumming, makes it ideal for singer-songwriters.

Celebrating 25 years of legendary delay, the Line 6 DL4 MKII 25th Anniversary Edition is a limited and collectible version of the iconic green DL4, now available in a sleek, special-edition silver finish. This exclusive pedal not only delivers the timeless delay sounds that have graced pedalboards worldwide since 1999, but also comes with additional features designed to inspire creativity for the next generation of musicians. With only 2,500 units produced, each pedal features a hand-numbered label, a custom keychain, and a DL4 MkII product sticker, making it a must-have for collectors and delay enthusiasts.

Inspired by the early 1950s Fender Broadcaster pickups, the Lollar Special T Series® is our most popular Tele® pickup—and for good reason! Punchy and powerful, it offers focused midrange with a small bump in compression and a smooth top end. A versatile pickup suitable for a wide variety of playing styles, the Special T is a great fit for players who find most Tele pickups to be too bright, or those looking for a slightly hotter and darker tone while still evoking the best of the Fullerton-era Fender sound.

If you’re looking for that quintessential Tele® sound but also want a versatile pickup, our Vintage T™ model is a great choice. With it you can get tones ranging from classic country to early Zeppelin.

The Lollar Bass VI pickups are designed to make one of Fender’s most unique instruments more usable for a wider range of playing styles. Through meticulous development, top shelf materials, and tight tolerances we’ve managed to take the Bass VI platform to the next level, offering improved balance, broader and fuller EQ, and increased punchiness. Compared to the stock pickups, the Lollar Bass VI pickups also offer increased harmonics and dynamics for more expressive playing. The three-piece set offers distinct benefits from one position to the next to give you a huge selection of great sounds – 14 options in all. The neck and middle deliver traditional bass-like sounds that are great for standard bassline work and holding down the low end in a full mix. The bridge position is tighter and more percussive, similar to the sound of a baritone guitar – great for playing chords and “spaghetti western” styles – while still sitting in fundamental frequency range of a typical bass guitar. NOTE: 250k potentiometers and 0.047μF caps are the most commonly used components for Bass VI pickups.

Offering the highest output of any of our humbuckers, the dB™ avoids the higher compression and muddiness often associated with high output humbuckers. It delivers top end harmonics that cut through without sounding harsh. Pair the dB™ with 1meg potentiometers to open up the top end even more.

The Stooges guitarist James Williamson left his T-Top-equipped 1969 Les Paul® at our shop so we could reference it to design our Raw Power™ humbuckers. The result is a more aggressive sound than you get with our standard Imperial®. The Raw Power™ has a perceived fullness due to its natural compression and the neck pickup is slightly hotter than the bridge pickup, like James’ original set.

Lollar P-90s have a warm, full tone with the clarity and articulation associated with larger single-coils from the late ‘50s. You’ll get a balanced output between the neck and bridge positions along with an expressive dynamic range.

Jason Lollar’s fascination with guitar tones can be traced back to the sound of early-‘60s (pre-CBS) Strats®. That was the benchmark he aimed for when creating our Sixty-Four™ Strat® pickup. When you hear them, we think you’ll agree he hit the mark! You get prominent midrange and clear top end with a piano-like attack.

Our Special S pickup offers a higher output Strat® pickup with more drive to break up your amp faster and harder. You’ll get more sustain and compression out of your amp as well as fuller midrange and less glassiness overall, with less quack in positions 2 and 4. Enjoy an impressive array of tones with the Special S.